September 21, 2016
A’ight, fine. Okay.
The thing is that part of the problem is skipping the politics. Here, for instance, is a sentence … er … ah … kind of:
“Relatedly, because the campaign has had to [something something] in order to [something else], their [something goes here] has often been [something you don’t care about].”
Okay, kids: “has had to”.
Anyone? Anyone?
(sigh)
-bd
Posted in Miscellany, Writing | Tagged bad jokes, cheap entertainment, grammar, has had to, Jake Sticka, relatedly, skipping the politics, something, syntax, The Hill, two parts | Leave a Comment »
August 25, 2016
So … this is still going on:
Watching Hugo voters choose “no award” instead of their nominees did not teach the Puppies Catholic virtues like humility or grace, however. Instead, many became consumed with rage. If they couldn’t take over the Hugos, the next step was to destroy them.
(Marcotte)
Read the rest of this entry »
Posted in News, Strange | Tagged alt-right, Amanda Marcotte, ballot, Beth Elderkin, bigotry, Catholic virtues, Chuck Tingle, female writers, Gamergate, gay dinosaur sex, Hugo Awards, invasion, io9, John C. Wright, literary award, misogyny, N. K. Jemisin, Naomi Kritzer, Neil Gaiman, political strife, Rabid Puppies, racism, Sad Puppies, Salon, science fiction, Science Fiction and Fantasy Writers of America, scifi, sexism, slate, space raptor, Theodore Beale, writers of color, Zoë Quinn | Leave a Comment »
August 21, 2016
Sometimes this comes up with my sense of humor and the necessity of explaining a joke derived from the stories of Steven Brust. Randall Munroe presents his own version of the question: Just how many novels must I read in order to receive the joke at its intended value?
To wit, I can’t explain the not/now joke properly insofar as it seems difficult to decide just what, between five hundred and, oh, say, two thousand pages is required in order to receive the full punch, and in truth, by the time it gets to twenty-four novels with no guarantee that the final tally won’t get larger, is it really worth it just to know why “not now” is one of the funniest jokes in literature?
Meanwhile, yeah, good luck with the sword.
-bd
____________________
Image note: Detail of xkcd #1722, by Randall Munroe, 18 August 2016.
Posted in humor, Miscellany, reading | Tagged backstory, Brian Jacques, Khaavren Romances, metajoke, not/now, obscure jokes, Paarfi of Roundwood, Randall Munroe, Redwall, Steven Brust, XKCD | Leave a Comment »
August 18, 2016
It’s not quite a mystery of the Universe, but still:
• In order to accomplish a task one must forget the fact of being about it.
And that’s the thing: I cannot actually tell you what that means at the stake of paradoxical nullification.
Okay, okay, that last might be at least a shade toward the superstitious.
Zen pollution.
Fresh nothing.
-bd
Posted in Miscellany | Tagged (cough!), contradiction, fake zen, fresh nothing, mysterium, narrative, nullification, paradox, self-defeating, superstition | Leave a Comment »
July 6, 2016
Okay, this is fun. (Ha!)
Er … uh … (ahem!)
Right. Anyway, I’m going to give you three quotes―
➤ “In order to answer this question, it seems that immigrants in Queens and New Jersey, Catherine the Great, Russian oligarchs, Imperial relics and top auction houses had to all get involved.” (Irina Reyn)
➤ “Someone on Goodreads took the time to write out “Meh” as their whole review. I admire that dedication to sharing your indifference with the whole Internet forever.” (Bob Proehl)
➤ “In my heart, I’m a comedian—not a successful comedian, but one who is both sad and deeply committed to the art.” (Hannah Pittard)
―and then you’re going to go read the rest of Teddy Wayne’s July Q&A with five authors: Jennifer Armstrong, Patrick Flanery, Hannah Pittard, Bob Proehl, and Irina Reyn.
Sound good?
Excellent! Thank ye!
―bd
____________________
Wayne, Teddy. “Life of an author on the internet: ‘Someone on Goodreads took the time to write out ‘Meh’ as their whole review'”. Salon. 5 July 2016.
Posted in Miscellany, Writing | Tagged auction house, authors, Bob Proehl, Catherine the Great, comedian, deeply committed, Goodreads, Hannah Pittard, internet, interview, Irina Reyn, Jennifer Armstrong, meh, New Jersey, Patrick Flanery, Q&A, Queens (borough), quotes, relics, review, Russian oligarch, Salon.com, Teddy Wayne | Leave a Comment »
June 4, 2016
Thu-Huong Ha, for Quartz:
Economists from Italy’s University of Padova compared data on 5,820 European men to see if longer compulsory childhood education could increase kids’ earnings over a lifetime. It does: Averaged across nine countries, boys who attended an extra year of school due to changing age requirements eventually returned an additional 9% of income.
But the researchers were surprised to find that, among kids who benefited from an extra year of school, those who grew up with more than 10 non-school books (that is, books they weren’t forced to read) at home eventually doubled that lifetime earning advantage, to 21%. Factors like whether the boys’ fathers had white-collar jobs, and whether their homes had running water, did not seem to make a difference.
Crucially, there was no significant difference between whether participants reported having 50, 100, or 200 books growing up. The key was whether they grew up with any number of books greater than 10.
The 2015 study from Brunello, Weber, and Weiss, published in The Economic Journal, is presently posted for open access.
Thus we find a scrap of evidence supporting something I think we all have known, instinctively at least, is true.
Keep reading. Keep teaching. Keep learning.
―bd
____________________
Brunello, Giorgio, Guglielmo Weber, and Christph T. Weiss. “Books are Forever: Early Life Conditions, Education and Lifetime Earnings in Europe”. The Economic Journal. 25 April 2016.
Ha, Thu-Huong. “Economists show that boys who grow up around books earn significantly more money as adults”. Quartz. 2 June 2016.
(h/t Science of Us)
Posted in Miscellany | Tagged books, Christoph T. Weiss, education, Giorgio Brunello, Guglielmo Weber, learning, lifetime earning, literacy, Melissa Dahl, non-school books, Quartz (online), reading, Science of Us (blog), teaching, The Economic Journal, Thu-Huong Ha, University of Padova | Leave a Comment »
February 25, 2016
In truth I was not aware of any particular rivalry ‘twixt authors of novels and memoirs, but neither is that definitive … or indicative of pretty much anything. Nonetheless, here we go:
By the end of this treatise on “appropriate choice of vocabulary” and the human impulse to “relativise” emotions, the reader still has no clear sense of how [Catherine] Millet feels about her mother’s suicide or what, if anything, this suicide has to do with her pained relationship with her husband. We learn more in one sentence of [Edouard] Levé’s about both the precise nature of the narrator’s feelings for his dead friend and the complications of intimacy in general.
And while I will not take a side―nor even try to figure out what the sides are, or if they actually exist at all―in Hannah Tennant-Moore’s introspection, I would at least go so far as to note she would seem to have a point with that paragraph.
Yeah, I know. Everybody’s a critic. Doesn’t mean a one of us has an answer. The answer. I mean, you know. An answer? Do I need an umbrella today? “Nuh-nuh-nuh-nuh-nineteen! Nineteen!” Yeah, you know? It’s an answer.
―bd
____________________
Tennant-Moore, Hannah. “Too real for reality TV — or even memoir: The new novels that dare use fiction to reveal secret truths”. Salon. 14 February 2016.
Posted in Writing | Tagged Catherine Millet, clarity, Edouard Levé, Hannah Tennant-Moore, memoir, memoirist, narration, narrative, narrator, novel, novelist, rivalry, Salon, Salon.com | Leave a Comment »
February 25, 2016
Via Deadline:
Selma director Ava DuVernay has just been set by Disney to direct A Wrinkle In Time, an adaptation of the 1963 Newbery Medal-winning Madeleine L’Engle fantasy classic novel that has a script by Oscar-winning Frozen writer and co-director Jennifer Lee. Deadline revealed February 8 that DuVernay had been offered this film and was also in the mix at DreamWorks for Intelligent Life, a sci-fi thriller scripted by Colin Trevorrow and his Jurassic World collaborator Derek Connolly. DuVernay now has the offer on that film and is in negotiations on a pic that has 12 Years A Slave Oscar winner Lupita Nyong’o attached to a fable about a UN worker in a department designed to represent mankind if there was ever contact with aliens, who falls for a mystery woman who turns out to be one. That film is produced by Frank Marshall, Trevorrow and Big Beach principals Peter Saraf and Marc Turtletaub.
I would imagine this is good news.
―bd
____________________
Fleming Jr., Mike. “Ava DuVernay Set To Direct Disney’s ‘A Wrinkle In Time’; Script By ‘Frozen’s Jennifer Lee”. Deadline. 23 February 2016.
Posted in Uncategorized | Tagged 12 Years a Slave (movie), A Wrinkle in Time, Ava DuVernay, Big Beach, Colin Trevorrow, deadline, Derek Connolly, director, Disney, DreamWorks, Frank Marshall, Frozen (movie), Intelligent LIfe (movie), Jennifer Lee, Lupita Nyong'o, Madeleine L'Engle, Marc Turtletaub, Mike Fleming Jr., Newbery Award, Peter Saraf, script, Selma (movie) | Leave a Comment »
November 26, 2015
I am sorry to drag political writing into this, but it happens to be where the example arises. In truth, you can ignore the politics, inasmuch as that is possible. Writing for Salon, Heather Digby Parton notes:
The CNN story goes on to interview various scholars who all say that to one degree or another Trump is, indeed, fascistic if not what we used to call “a total fascist.” Historian Rick Perlstein was the first to venture there when he wrote this piece some months back.
It’s hard to understand why this has been so difficult to see. On the day he announced his campaign, Trump openly said ....
As long as I have been aware of Digby, it has been through electronic media. And in the question of the ever-growing online world, I have tended to compare the reading experience to paper; this might well be the wrong context in the twenty-first century. She is good at what she does, but this is a quirk of the new era that continues to defy me.
That truncated second paragraph is not a quote; it is the next paragraph of her narrative. As one raised on paper, the last sentence of that first paragraph just reads strangely to me; without the embedded hyperlink, it makes no sense.
Historian Rick Perlstein was the first to venture there when he wrote this piece some months back.
Or … am I being pedantic?
Maybe I’m just too accustomed to the idea of the Martian eye, or alien anthropologists. Even as we find the internet today, hyperlinks can break. Imagine trying to put the record together sometime in the future.
____________________
Digby Parton, Heather. “The unprecedented nightmare of Donald Trump’s campaign: We’ve openly begun using the F-word in American politics”. Salon. 25 November 2015.
Perlstein, Rick. “Donald Trump and the ‘F-Word'”. The Washington Spectator. 30 September 2015.
Posted in Writing | Tagged alien anthropologists, Amused to Death (song), continuity, electronic media, embedded hyperlink, Heather Digby Parton, historical record, internet, Martian eye, presentation, printed page, quote, Rick Perlstein, Roger Waters, Salon.com, source, The Washington Spectator | Leave a Comment »