Archive for the ‘Writing’ Category

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Asking a Slightly Less Useless Question Because I Probably Owe It Some Consideration

September 21, 2016

A’ight, fine. Okay.

The thing is that part of the problem is skipping the politics. Here, for instance, is a sentence … er … ah … kind of:

“Relatedly, because the campaign has had to [something something] in order to [something else], their [something goes here] has often been [something you don’t care about].”

Okay, kids: “has had to”.

Anyone? Anyone?

(sigh)

-bd

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Asking a Useless Question for the Good of All Humanity

September 21, 2016

Why is “relatedly” a word?

-bd

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Coffee Quotes

July 6, 2016

Okay, this is fun. (Ha!)

Er … uh … (ahem!)

Right. Anyway, I’m going to give you three quotes―

photo by bd“In order to answer this question, it seems that immigrants in Queens and New Jersey, Catherine the Great, Russian oligarchs, Imperial relics and top auction houses had to all get involved.” (Irina Reyn)

“Someone on Goodreads took the time to write out “Meh” as their whole review. I admire that dedication to sharing your indifference with the whole Internet forever.” (Bob Proehl)

“In my heart, I’m a comedian—not a successful comedian, but one who is both sad and deeply committed to the art.” (Hannah Pittard)

―and then you’re going to go read the rest of Teddy Wayne’s July Q&A with five authors: Jennifer Armstrong, Patrick Flanery, Hannah Pittard, Bob Proehl, and Irina Reyn.

Sound good?

Excellent! Thank ye!

―bd

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Wayne, Teddy. “Life of an author on the internet: ‘Someone on Goodreads took the time to write out ‘Meh’ as their whole review'”. Salon. 5 July 2016.

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Can You Imagine the Rumble?

February 25, 2016

In truth I was not aware of any particular rivalry ‘twixt authors of novels and memoirs, but neither is that definitive … or indicative of pretty much anything. Nonetheless, here we go:

Salon.comBy the end of this treatise on “appropriate choice of vocabulary” and the human impulse to “relativise” emotions, the reader still has no clear sense of how [Catherine] Millet feels about her mother’s suicide or what, if anything, this suicide has to do with her pained relationship with her husband. We learn more in one sentence of [Edouard] Levé’s about both the precise nature of the narrator’s feelings for his dead friend and the complications of intimacy in general.

And while I will not take a side―nor even try to figure out what the sides are, or if they actually exist at all―in Hannah Tennant-Moore’s introspection, I would at least go so far as to note she would seem to have a point with that paragraph.

Yeah, I know. Everybody’s a critic. Doesn’t mean a one of us has an answer. The answer. I mean, you know. An answer? Do I need an umbrella today? “Nuh-nuh-nuh-nuh-nineteen! Nineteen!” Yeah, you know? It’s an answer.

―bd

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Tennant-Moore, Hannah. “Too real for reality TV — or even memoir: The new novels that dare use fiction to reveal secret truths”. Salon. 14 February 2016.

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Style and the Twenty-First Century

November 26, 2015

I am sorry to drag political writing into this, but it happens to be where the example arises. In truth, you can ignore the politics, inasmuch as that is possible. Writing for Salon, Heather Digby Parton notes:

Huh?The CNN story goes on to interview various scholars who all say that to one degree or another Trump is, indeed, fascistic if not what we used to call “a total fascist.” Historian Rick Perlstein was the first to venture there when he wrote this piece some months back.

It’s hard to understand why this has been so difficult to see. On the day he announced his campaign, Trump openly said ....

As long as I have been aware of Digby, it has been through electronic media. And in the question of the ever-growing online world, I have tended to compare the reading experience to paper; this might well be the wrong context in the twenty-first century. She is good at what she does, but this is a quirk of the new era that continues to defy me.

That truncated second paragraph is not a quote; it is the next paragraph of her narrative. As one raised on paper, the last sentence of that first paragraph just reads strangely to me; without the embedded hyperlink, it makes no sense.

Historian Rick Perlstein was the first to venture there when he wrote this piece some months back.

Or … am I being pedantic?

Maybe I’m just too accustomed to the idea of the Martian eye, or alien anthropologists. Even as we find the internet today, hyperlinks can break. Imagine trying to put the record together sometime in the future.

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Digby Parton, Heather. “The unprecedented nightmare of Donald Trump’s campaign: We’ve openly begun using the F-word in American politics”. Salon. 25 November 2015.

Perlstein, Rick. “Donald Trump and the ‘F-Word'”. The Washington Spectator. 30 September 2015.

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Familiar Desolation

July 23, 2015

Detail of 'Bug Martini' by Adam Huber, 22 July 2015.Ever have one of those days?

Okay, here’s another one. Ever have that urge to do the old Bugs Bunny bit with Yosemite Sam, the one about okay I’ll shut up because I’m not the type of guy who keeps on blabbing after someone tells me to shut up … Shut up shuttin’ up!

It was that or the bit about doing the Whatchamacallit advert, and you do the “What’s right?” part, except do it in Scooby Doo’s voice. You know, one of those random things that comes up during the set break at a Phish show. Never mind.

Sometimes writer’s block is best. Just ask Adam.

―bd

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Huber, Adam. “Writer’s Blockhead”. Bug Martini. 22 July 2015.

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The Story, and the Stories Behind the Story

May 8, 2015

Alright, easy enough. In no particular order, except, well, it seems a reasonable enough order:

'My Life Is a Joke', by Sheila Heti (Illustration by Mark Smith for The New Yorker)“My Life Is a Joke”, a short story by Sheila Heti, published in The New Yorker, 11 May 2015.

“Sheila Heti’s Short Story in the New Yorker This Week Only Exists Because of Hugo House”, by Christopher Frizzelle of The Stranger, 6 May 2015.

“Good Writing Matters: A Conversation With Tree Swenson, the Director of Seattle’s Hugo House”, by Russell C. Smith and Michael Foster for Huffington Post, 9 December 2014.

“Seattle Dispatch: The Richard Hugo House”, by Ming Holden for Huffington Post, 9 July 2010

• And after all that I would be remiss if I didn’t point to Hugo House itself.

True, this one’s up in my corner of the world, but remember that good writing is everywhere, and always waiting. And something goes here about a village, or how it could be you, or … or … er … right. Anyway, have fun.

―bd